Thursday/ Fish

As part of the playwriting track at The Glen Workshop at Mount Holyoke College this past week, we were asked to write a ten minute play.  My play is called Thursday/ Fish, and I've posted it on my Scribd.com page HERE.

I'm pretty happy with how it turned out - it was inspired by an image of a mother and daughter cleaning up a pile of rubble which I found on Flickr.com's image archive.  I'm not exactly sure what I found so compelling in the picture, but what it inspired in the play was the resolve to continue on - to clean up and begin to heal by continuing to live on.  Tradition as a guide through tragedy.

The Glen

So, I'm attending a playwriting workshop this week at The Glen - East, hosted by Image Journal.  Arlene Hutton is our instructor.  Instead of our session being to get feedback on completed or in-process works (which most Glen sessions seem to be about), we are planning to focus on creating and developing new ideas for plays.  I'm looking forward to seeing how this all works - I've never done a week long workshop like this.

We are at Mount Holyoke College in western Massachusetts - a beautiful campus with lots of New England charm.  Meeting a lot of new people, and have already had some very interesting and compelling late-into-the-evening-hours conversations.

Not sure how much time I'll have to scratch out thoughts for a blog this week, but maybe some insights or even some writing might get posted.

I did get a chance while traveling to read through the first draft of Long Surrender - some things turned out better than I'd remembered, and some need work.  Hopefully sometime soon I can get back to working on that.

The first draft of Long Surrender is done!

The Long Surrender has a complete 14 play first draft.

The first play was written the morning of May 20, the last one complete around 1 am on June 4.  15 days, 94 pages.  14 stories.  All written at my dining room table.

The longest play is 9 pages, the shortest has 6.  Yes, they are 'just scenes' in terms of length, but I'd be hard pressed to think that there's more to the story to be told in any of them.  All but one of them have just 2 characters on stage (a couple of voices that could be recorded) - the final play has 9 speaking characters, but it's a fable, and could well be done with 3 actors.  Simple sets - relatively low tech (even the most high-tech one has a low-tech alternative).  I even had restraint enough to keep from writing moments where someone overturns a table full of marbles* (or anything like that).

I'm feeling quite relieved - the final play did not turn out to be as difficult as I feared.  I worried that the idea of culminating the whole project with a final play would get in my head and block me up, but deciding (while listening to the song, Favorite Time of Light - in fact, a bonus track when you buy the album online) that it could be like a children's fable, purposely different from everything else, then it was easy to just take this play as its own thing, and not bother with the pressure of having to wrap it all together with a little bow.  Surrendering.  My own little lesson from this project.

I can't say I know exactly what to do with all of this now - certainly, I have to go back and read the whole thing all together, and see what it is I've actually done.  We'll see how I feel about it at that point.  But even if it all comes to nothing - I think I've gained a lot from the attempt.  And that makes me satisfied.

* mental note: write someone overturning a table full of marbles into the next play...

3 more done

I've now completed plays #8, #9 and #10, which means that there are only 4 more plays to write to finish the first draft of The Long Surrender cycle.  I won't be surprised if these three plays turn out to be my favorites when all is said and done.  Two of them are fairly realistic, the other has some style to it (it'll be a challenge).  But when I finished them, each one of them, I felt pretty satisfied that I'd captured what had come to mind (though there may be some adjustments to be made).

I'm realizing now that I'm blogging through the process of writing, but I'm not really saying much about each individual play.  I might do that when I go through a second pass - I'm wanting to avoid influencing the plays that are yet to come by over-describing the ones I've written.  I'm afraid of too closely identifying the pattern I'm setting down, then getting stuck trying to continue the pattern.  I've had that problem before.

Hoping to write another play later today, then I'll be on track to finish on Wednesday...