A little bit more...

So I got another 17 pages done, which is the bulk of one of my primary climax-type scenes, a very complicated sequence which has proven to be a real challenge today. The scene isn't done, but i did map out how the rest of the scene will work. Up to 86 now.

I'm finding it quite difficult to write scenes with this many people in them. I realized a couple of days ago that I haven't actually written a play with more than 4 characters total, much less a scene where 8 people are all trying to talk. Almost as confusing as the fact that almost every single person in this play is pretending to be at least one other person, if not more.

I will also say that, as someone who almost always writes to music, I'm having a great time listening to all the Tango music that I've chosen to inspire the writing - a LOT of Astor Piazzolla. It's a fun kind of energy that is beautiful, takes itself quite seriously, and is bouncy and fun at the same time.

As the New Year is approaching, I am also realizing that if I finish this first draft - no matter how badly it is written - I will have kept my New Year Resolution for 2010, to write at least the first drafts of two new full length plays. I might just be able to sneak it in under the wire...

A beginning!

It has begun. I have started to write script pages for The Mayfair Affair.

On December 21, I pounded out the first 20 pages of script, another 24 pages on the 28th, and today, I have about 25 (That's a total of about 69 for the math-deprived). This is all some really terrible first draft writing, but I continue to make discoveries, as my pre-conceived ideas seem to take a back seat to whatever the characters start to say while I type - though I am hitting all of the major plot points (a necessity in a farce comedy - which needs to have a highly structured plot). I have reached some moments which should hit right around the end of Part One (pre-intermission), and a big scene that I think should go in part two. Though I do think there might be more setup necessary before I could call part one 'done' even for a first draft.

I'm actually just glad that all of the characters finally have names now - which really helps when trying to flesh them out as full characters and not just 'the maid' or 'the male thief'. Obviously, there will be a lot of cleaning up to do - including re-establishing some of those initial ideas, but a start is a start.

The goal is to have a full first draft (which I'm guesstimating will have about 100 pages, maybe a little more) sometime over the weekend. That's long for a play, but inevitably there will be some trimming. With a pending trip next week, I'd like to have at least this first pass done before I leave. Perhaps putting it in the drawer for a week while I'm gone will let it settle before charging ahead with another draft.

Kind of funny, the idea first came to me in early January, while making the long drive back from visiting family - roughly the same trip I'll be taking next week...

So much to do - but glad to finally be at a beginning - a whole year later!

My Daughter, the Playwright!

So, my ten year old daughter 'surprised' us on Christmas Day by presenting her brother, her mother and I each with a 10 page part of a play she's been writing. (I say 'surprised' because we all knew she had been hiding away to write something as a present, but we didn't know exactly what.)

Part One: The School Problem, she gave to her brother.

Part Two: The Report was for me.

Part Three: Moving Day she gave to her mom.

The play is about the adventures of a girl named Jane and her little brother J.J. as they navigate a school bully, J.J.'s major oral report on an animal, and her neighbor friend's impending move to San Diego. All three parts seem to involve the family's watching one of the Star Wars movies every Friday night (which we had been doing when she was writing - she instinctively knew to 'write what you know'!).

I took her hand written pages and typed them into Final Draft today, and used the Voice feature so it would read it out loud to her (as robotic as the people sounded). She got a big kick out of that, and we did a tiny bit of rewriting to fix some of the misspellings and typos.

At the end of part three, the story is far from over, so I'm really hoping she keeps writing. I'm very proud of what she's been able to do so far.

So, many months later...

I'm just about ready to get back on track with the farce that I'm working on, The Mayfair Affair. While I haven't gotten any script pages done per se, I've been turning the ideas over in my head over the past few weeks, and it's been heating up over the past few days - the fingers are itching to write. Directing has been where the energy has gone, but every time I don't really have the energy to work on writing - that's when the ideas start to roll.

I'm very lucky to be in the position I'm in, where this project already has some deadlines built in: I'm scheduled for a staged reading in the late spring, with an eye toward an actual production during the 11-12 season - plus a director attached who I'm very happy to have working on the play. Of course, the panic of not actually having pages in hand could potentially be crippling as the reading approaches, but knowing me, having that deadline that I can't push back just because I feel like it should be a strong motivating factor.

I'll always remember the story that my playwriting teacher would tell us about the English playwright whose agent came up with a title, booked a theatre for the opening, and hired a graphic designer to make a poster with the title and show dates - then sent it to the playwright, who then wrote the play! I don't think I'll go that far...

I've been published!

OK, so I presented three short theatre pieces at the Matter '09 conference last September - one of which, The Urns, has been published in the conference anthology; which also has a photo of me in that piece and one other, The Silent.

I was very glad to be invited to such a wonderful conference - and now I've been doubly blessed.

Thanks to Shechem Ministries for hosting the conference and publishing the book!

The War Sword

A war sword, powerful and bold, forged in fire. Hardened in fierce battle, it has conquered kingdoms, defended cities, avenged aggressive wrongs and maintained the nation. The nation, now drunk with safety and comfort, sheathed the sword in its scabbard, held it high, and declared, “Remember the victories of this sword.” The victories became stories, and passed down into legends of the great acts of the sword, that even the children could tell. Meanwhile, the sword sat rusting in its scabbard, stored away. Until a curious child investigates the store room and finds the rusty metal stick. Fixated, the child takes it, seeking to enhance the game of war. The sword, still trapped inside the scabbard, is forced to enact the legend of its own great deeds in the hands of a child in a play game of war.

I wrote this story recently during the sessions of a conference on the Church and the arts. The story popped into my head at the start of sessions one morning, and that day happened to be focused on the obstacles that hinder the application of the arts in their full power within the context of the Church. The story wasn't in response to the sessions, but came before them - I just understood the story better afterward.

Working...

Today, I had a really great pitch session with Brandon Whitlock - lots of fantastic ideas for the development of a new project I'm working on; a farce called The Mayfair Affair. I've never written a farce, and it's been a long time since I've done comedy. But this idea jumped into my head almost fully formed a few months back, and I can see working on this as a great opportunity to write something that might have legs (would be something that a lot of other places might be interested in producing).

I have one other play currently on the front burner, Several, which I am working on a second draft of within this next week so that I can start rehearsing it with the floodlight theatre company, then I can look at starting a draft of Mayfair.

The Hermit's Sacrifice

A man a hermit lived alone in the middle of a wood on the side of a remote mountain far from any other person. He lived for many years in solitude never speaking a word, his lips parting only as necessary for eating and drinking.

On a cold snowy morning, he rose from the pile of thrush he considered his bed and began the process of his day, gathering wood for fire, checking his traps, and climbing to his favorite spot on a ledge high above on the mountain.

This day this cold and snowy morning as he sat on his ledge with his gathered food and fuel, he looked out at the grandeur of the land before him. And he was stirred. In this chest sat, recognized for the first time, a regret. In seeing the purity of the snowy landscape before him, aware that within himself lay a multitude of the sin the transgression against what he was unsure, the land the sky himself nature and the world and that which lay behind it all. That unnamed which rejects name

And today, he opened his mouth. In awe, in regret, in fear in hope. Then he took his two possessions – his fuel and his food. He arranged the wood into a pile and ignited the fire – into which he placed all of his fuel. Then he stripped bare the food and set it on the fire – stoking it until the food was only ash. He waited there on the ledge, considering the dark grey smoke as it rose to meet the clouds above, parting them until the snow lifted and the sun melted the ice on the ground smiling down its approval on the hermit. Who, after being so confused by his own guilt, seemed equally bemused to have such relief at the process of sacrifice – even when he did not fully understand to whom or why the sacrifice was being made.

Thankful, he returned to his hermitage. And began to collect the necessary items for his next sacrifice – thankful to find them.

This was written fall of 09, during the rehearsal process of a short devised piece on sacrifice. While this story didn't make it into the final version of the piece, it was instrumental in its development.

The Boy's Journey

This was a story that I wrote just recently during the writing process of a new play. I almost immediately decided that it wasn't for that play, so it's now on it's own. I do recognize its similarity to the Running from the Sun one-sentence story - maybe going over that one for this blog put it back in my head...

The sky was cold and grey, the day the young boy decided to venture far from his small village, looking to discover what it took to become a man. He carried only his blade and a small knapsack in which he kept enough food for a single meal. Days and days of wandering through the deep woods left him exhausted and starving. He nibbled on fruits, he nibbled on plants, and he found pools of fresh water, enough to sustain him on his further journey.

(beat)

It was many days later before he found the edge of the woods, and he ventured off into the plains. Unsure if that which would make him a man was in the woods or plains, he decided to head off into the plains. There he found grains, and animals that moved in herds, and a running river to drink. And he followed the river through the plains.

(beat)

It was many days later before the river gave way to the sea.

Unsure if that which would make him a man was in the plains or by the sea, he decided to head off into the sea itself. And he feasted upon the fish, and learned how to make the water good to drink. He built a raft and headed out to the sea.

(beat)

It was many days later before the lands on the other side of the sea became visible. Unsure if that which would make him a man was on the sea or in the new land, he decided to land his craft, and explore the new land. Filled with new beasts, new grains, and springs flowing with fresh water, he wondered if this was the land where he would become a man. He ventured far into the new land, and discovered high mountains - and the challenge called him.

(beat)

It was many days later before he stood atop the mountain peaks. Unsure if that which would make him a man was past the mountain top, he decided to descend on the other side of the peak. He reaches the bottom of the mountain; scarred, and battered, his breaths were shallow, and he struggled to see the horizons. He found himself surrounded again by trees.

(beat)

It was many days later before he made his way through the woods, and found himself at his small village, standing at the doorway to his father’s house. He was worn, and bruised, his energy drained and his feet bled. He collapsed in the doorway of the now empty home, for all who had lived there had long since been gone. He crawled to the chair at the head of the simple wooden table, and pulled himself up into it. He placed his blade on the table, and opened his knapsack. He ate his simple meal, the one he had carried with him for days and days, sitting in his father’s chair, in his own village.

(beat)

And he was a man.

The Woods

There was a wood. A cluster of trees, who encircled a small clearing. They protected it, and secured it. Saved it from the areas surrounding. In the wood there lived a creature, small and frail who kept to the wood for its safety, and often lounged in the security of the clearing, taking shade under the branches and dabbling its feet in the pond. A woodsman happened by one day, toting a very large sharp axe. The woodsman knelt by the pond, cupped his hand and drew a drink. He wiped his hand behind his neck to cool himself. The creature was enthralled with the woodsman, and fell in love with him. The creature memorized the woodsman’s every move, whether he understood it or not, and learned the ways of the woodsman. And one day, long after the woodsman had gone, the tiny creature sat in the clearing, with all of the trees at his feet, the pond long since dry. The creature wiped the sweat from his brow, and tried to remember how happy the days had been, before he became a woodsman.

The flashlight

Another one-sentence story...

There was a boy who shined his flashlight into the night sky, hoping to discover the mystery of the universe, but came to find not that he had discovered, but was discovered himself.

The Testament to True Friendship

Another story that had been written as part of the material for a play, as a monologue, but it hadn't been worked into the context of a conversation, so it's more of a stand-alone story.

The testament to true friendship.

Once a man had a pair of friends, both close, both loyal.

The man one day decided to examine himself to discover which

of the friends was more dear to him. For hours, he weighed

the value that each of the men had to him; their histories,

their talents, their endearing qualities. And while one or

the other could be considered to have advantage in any single

category, he concluded that as to their strengths, the

friends were, in effect, equal.

The man turned his thoughts to weighing the negative

qualities of each man; the vices, the arguments, the debts,

the enemies, the shortcomings. Again, in their weaknesses,

on the whole, the men were equal.

But the thought occurred to the man: what about comparing

each man’s strength to his own weakness. Quickly, he did so,

point by point. It became clear to the man that both of his

friends were heavy to the side of weakness - and that he may

be better off to rid himself of these friends, for their

vices were also his, and may be contributors to his own sin.

The man called his friends together to let them know his

decision. The first friend he told listened to the news

carefully, and understood his friend’s decision. He left

without saying a word. But the second friend, his eyes

welling, punched the man in the face. Towering over his

fallen friend, he said, “You can’t get rid of me. I am your

friend.”

This is a testament of true friendship.

Running from the Sun

Today, I have a short post; a one sentence story. This came to me quite a while ago, but has stuck with me. I've tried to develop it into more, but it fights me every time, and wants to live in this format, so I have to let it...

There was a boy who, in the morning, decided to run away from the sun, and, in the evening, found himself running towards it.

The Lake

This was originally written as a monologue for a play, so it's within the context of a conversation, but here's a story that I'm quite fond of. Written in December of 09.

Often, when I'm doing exploratory writing, the characters have names like Guy and Girl, or numbers, letters or other generic label.

GUY

Don’t speak until I’ve said what I want to say. It’s been

several months since you’ve seen me - which is entirely your

doing, I’ve done what you’ve told me you wanted, and for

that, I am sorry. You’ve told me to stay away, which I have,

and I never should have listened to you. What a fool I’ve

been, to take you at your word.

(beat)

I was like the man who built a lake at the foot of his love.

He dug at her feet and moved back and back as the rains fell

from the sky. And as he finished, he looked up to find that

the lake was between them, and that he had set her apart from

himself. She waited for him to cross the river, but

exhausted from digging the lake, he could neither swim nor

build and navigate a boat. Soon, she turned to go, walking

the solid ground away from him. He ran after her and drowned

in the lake he had made to remember his love.

Letters from a Beloved - unedited

Once there was a Lover who turned attentions toward a Beloved. These two spent many hours together, playing, laughing, learning one another, and adoring more and more with the passing of the days.

The Lover’s passion for the Beloved grew to such an amount that not only the time that they spent together was considered a blessing, but the absence of the Beloved produced the strangest effect, that the Lover became consumed with thoughts of the Beloved – so much so that everywhere the eye turned, the mind would be spurred by thoughts of the Beloved being near, appreciating the experience with the Lover, and how the Beloved would respond to what was there.

The Lover was so enamored with the Beloved, the Lover asked of the Beloved some kind of manifestation of mind, words, in the form of letters. The Beloved, who appreciated the adoration, was happy to oblige.

The Lover poured over every letter that the Beloved presented. Each word, syllable, letter, became of such importance to the Lover, that the time spent with the Beloved became time that could not be spent with the letters of the Beloved, and the Lover spent more and more time alone, at home, reading over the letters. The Beloved, still appreciating the implication of love in the attitude of the Lover, continued to write the letters, and filled them with messages of affection, of care, and of longing for the next time they would again be together.

Over the many years, the Beloved continued to write, and the Lover continued to read and care for the letters, collecting them, organizing them, saving them. And while the actual time spent together had dwindled down from the days of initial infatuation, the connection and appreciation for one another was still as consuming.

The Lover’s eyes, strained from the reading of letters by candlelight and starved by being unable to feast upon the sight of the Beloved, began to fail. And the Lover came to decide that the frail eyes should not spend any more time pouring over the old letters, and instead save their sight for only the new ones, that arrived each morning.

And the food of affection, the sight of the Beloved, and the words of the Beloved, became more and more scarce for the Lover. Soon, the tired eyes could not read the entirety of each letter, and could only read key passages. Then phrases. Then words. Then syllables. Then letters. Then marks. And the letters carried less and less meaning, less and less messages, less and less love, less and less food for the Lover’s decrepit, emaciated passion. But these incoherent scribblings were all he would allow his eyes to see.

The Beloved learned of the situation of the Lover, and began to tailor the letters to the needs of the Lover, continuing to write them with the same passion, emotion, and connection of the first letters, and even of the days when they had been together.

Soon, the Lover was blind. And the Lover was surrounded by the letters sent by the Beloved. And it was no longer the words on the page that fed his passion, but the feel of the stacks of pages of incoherent markings, that let him know that the Beloved had never forgotten, never discontinued communication, and indeed, still simply desired to be in company, in communion with the Lover. And was still sitting on the other side of the room, caring for the Lover, writing letters to the Lover, placing them near the Lover, each time hoping for the Lover to open the tired eyes, and adore once more.

I had written this in my notebook in July of 2009. Can't remember exactly why this had occurred to me, but I remember it was during a church service, and was considering how a person has the ability to narrow the ways that we can hear from God - that we are capable of limiting his ability to speak to us, into our lives.

The Adopted - unedited

There was a boy, homeless, family-less, starving and freezing. He passed a large car, in which was a rich man. The man more than pitied the by, but his heart broke for him – for in the boy’s eyes, he saw the eyes of his own son. The rich man brought him back to his mansion, where the boy warmed by the enormous fireplace. Servants came. Food was brought to the boy, and his stomach was filled. His rags were exchanged for clean clothes. He was scrubbed and washed, even behind the ears. He was prepped and cleaned and straightened. And the boy developed an understanding that he had been brought here to replace the rich man’s son.

He walked into the rich man’s library, hoping to find the man, but in his absence, the boy began to examine the study. He pulled a musty book from the shelf and opened it to find only a list of names. The rich man appeared behind him, and the boy immediately began a guilty excuse, as was his habit. The rich man quieted the boy and brought him to his study desk, sitting the boy on the desk.

“Child, do you know why you are here?” said the man.

“I was… brought here,” said the boy.

“That is the truth, but do you know why?”

The boy stammered, “well… uh… you had a son once…”

“Yes I did.”

“…and you loved him very much…”

“I do love him. Very much.”

“And he doesn’t seem to live here anymore…”

“He has not lived in this house in some time.”

“So… I guess you want for… for me to be your son…”

The man smiled. “Oh, child. You cannot be the replacement of my son. My son will always be perfect in my eyes, and I love him as I love myself. You know that my son is not here now. His absence has made me see him in every child I pass by, and my love for him is so great, I have no choice by to love everyone as I love him.”

The man opened the book to a blank page. He said, “Sign your name here. You are now another of my adopted children, for I have loved you. Then I will call for my car to bring you back to the streets where I found you.”

The boy was stunned. He took the pen and scrawled his name as best he could. “You mean I’m not to live here with you?” he whispered.

“This is your home now, and will be. But for now, you are to see my son in others, as I saw him in you. I expect for you to love the others that I have not yet been able to love.”

The obvious starter blog post

Ok, so it must be done. The very first blog post. The one where I describe why it is that I've finally gotten together enough ego and stupidity and describe why it is that I finally started a blog.

I've wanted to get enough gumption to do a blog for some time, but haven't - citing time, things to blog about, self-absorbtion as the things I didn't have enough of to keep a blog going for any more than three weeks. We'll see if I was right.

My plan is to post a variety of things here.
* Posts about me, my writing process and progress, and the things I'm working on.
* Posts of my thoughts about the arts, my faith, and other things that interest me.
* Short stories and possibly script pieces that I've been writing.

If you care, leave a comment. If you're confused, leave a comment. If you become violently angry about what I post, just ignore me and move on to the next blog.